The museum offers 7,000 square feet of permanent galleries showcasing the rich, unique heritage of the Gig Harbor Peninsula. Unique artifacts, video kiosks, hands-on exhibits, computer interactives, and a small theater bring Peninsula history to life in our permanent galleries.
Northwest Watercolor Society’s 77th Annual International Open Exhibition Features 60 Artists
The Northwest Watercolor Society (NWWS) announced that paintings of 60 artists have been selected for the 77th Annual International Open Exhibition that will be on display from April 24 through June 2, 2017, at the Harbor History Museum, 4121 Harborview Drive, Gig Harbor, WA 98332. The selected entries represent six countries and 19 states from the over 400 entries received from 275 artists. Co-chair Debbie Roskopf said, “Each year the growing popularity of watercolor worldwide is more apparent and is reflected in the strong diversity and originality of these strong, wonderful paintings. The NWWS exhibition showcases the skill of artists dedicated to watercolor, including many pieces from well-known, award-winning national and international artists. This exhibition will celebrate the versatility of the medium and inspire everyone who visits."
The exhibition’s juror, Keiko Tanabe, had a very difficult job. “Watercolor is said to be an unforgiving medium as it does not hide what’s beneath a brush mark. When I began the jurying process, it didn’t take me a long time to realize that this would be a very daunting task to decide which paintings to be included in the show,” said Tanabe. “Among all the images submitted, I recognized many paintings that were created with confident brush marks, a testament to the artists’ dedication to this difficult medium and years of practice. A large number of submissions also captivated me with a variety of techniques that the artists demonstrated so creatively on paper, not to mention their chosen subject matter, concept, and styles. To make final selections I looked for a mastery of technical skills, a strong composition, originality, and perhaps more importantly, how the artist communicated their emotion through their unique expression. I especially appreciated the work done by those who took risks rather than played it safe. My heartfelt congratulations to all the selected artists. It was a huge privilege and a big responsibility to be part of such an important exhibition as a juror.”
Tanabe was born in Kyoto, Japan and currently lives in San Diego, CA. She embarked on a professional art career as a watercolor painter in 2005 after working in international relations and marketing. Since then, her work has earned many awards and recognitions on a national and international level. Her work appears in private and corporate collections in many countries. Her work has been feature in numerous art publications. She is also a sought-after workshop instructor, teaching watercolor courses both in the U.S. and abroad. She is currently a member of the National Watercolor Society (signature member), American Watercolor Society, North American Watercolor Artists, and American Impressionist Society.
The Northwest Watercolor Society was founded in 1939 in Seattle, Washington when a group of eight artists came together to form an organization dedicated to the celebration of watercolor. With a goal to inspire both a lasting interest in the art of watercolor painting and an appreciation for watercolor as an artful, imaginative medium, the history of NWWS began. From these modest beginnings, NWWS has grown into the internationally recognized, historically rich organization of today with a membership nearing nine hundred Signature, Lifetime and Associate Members across the USA, Canada & internationally.
The Northwest Watercolor Society of today is a structured organization that offers a wealth of opportunities and experiences for the artist, the art patron and all those fascinated by the magical wonder of watercolor. Recognized as one of the most prominent national/international watercolor societies in North America, NWWS continues to gain attention and exposure. Although NWWS has grown enormously throughout the years in both numbers and accomplishments, the organization has remained firmly rooted in its history, devoted to the philosophy of the Mission Statement of its Founders … To promote and elevate the art of watercolor as a medium and to encourage the growth and creativity of its artist members. http://www.nwws.org/
Collage; Between Fantasy + Reality by Carol Virak
Opening Reception: February 24th, 6:00-8:00pm.
Exhibit runs February 25th - April 16th.
"It is important to me that the artists hand is evident in the painting process….the gestures will lead your eye around the painting, discovering new marks, lines, imprints and details of the whole. I like my work to have the layers of paint/line/color that comes from working the canvas, working the process of painting. The more complicated a painting looks, the more satisfying it is to my eye. I would like the viewer to 'discover' more depth every time one looks at it."
About the Artist
Carol Virak has had a life-long continuing education in Art. Beginning to excel in art in Jr. High school, she received a summer study scholarship to Otis Art Institute in Los Angeles and found herself drawing and studying art with mostly adults.
Continuing her education, she received a Bachelor’s degree in Fine Art from California Lutheran University in Thousand Oaks, and a Masters of Fine Art degree from the University of Puget Sound in Tacoma, Washington. While raising her 2 children, Carol continued her education at the University of Puget Sound and received her Washington State Teaching Credentials, K-12, with the intention of teaching Art in high school. After substitute teaching for several years, she was awarded a Lifetime Substitute Teaching Credential K-12.
Carol taught Art at Curtis Jr. High School in University Place before accepting the position of Director of Education at the Tacoma Art Museum. Her duties included curating exhibits for the Children’s Gallery, training Docents for school tours, and installing exhibits in the main Gallery.
Carol developed a concern that there wasn’t an artist represented on the Tacoma Arts Commission, and took her views to Tacoma City Councilman Joe Stortini. Carol was then appointed to the Tacoma Arts Commission to give a voice to local artists concerning decisions being made about Art for the city of Tacoma. As an Arts Commissioner Carol was part of the first “1% for Public Art” plan to commission an artist for the new Tacoma Dome.
Carol was commissioned by the Pantages Theatre Board to raise funds for the Theatre restoration through the “Be a Brick for the Pantages” project. Tacoma citizens bought a brick for $25 with their name imprinted on it, which was placed in front of the Theatre. This project earned her a “Time Magazine Person of the Year Award” and a brass plaque on the entry to the newly restored historical Pantages Theatre.
Concern for the lack of exhibition spaces for local artists inspired her to become the owner, curator of the “Contemporary Craft Gallery, Inc.” in the Tacoma Financial center on Broadway. While not exhibiting her own work in the gallery, she exhibited various disciplines of fine art in crafts media and became a champion of local artists needing exhibition space. As the Gallery owner, she curated and commissioned the art for the new offices of Fiduciary Counseling Inc., the financial arm of the Weyerhaeuser family. Monthly exhibits brought recognition to local artists and helped support a newly emerging arts community in Tacoma.
Carol’s interest in helping artists led her to an appointment as a “Fellow” to The National Endowment for the Arts in Washington D.C. to work with the Challenge III Program. Her job at the Endowment was to research at the Library of Congress all Corporations who donate funds to the Arts, how much they give to the various disciplines (visual, performance, music, theater, etc.) and compile this information for the Director of the Endowment. Her time at the Endowment provided an insight into the funding process for Arts organizations on a national scale.
Carol has continued to champion local artists, having chaired the Harbor History Museum Art Exhibition “SPLASH” for 2 years and serving on the committee for 4 years.
Since retiring, Carol has devoted her lifelong interest in Art to “finding her own voice” as an artist, and maintains a working studio “CV Gallery” at her home. Acrylic painting, pastels, charcoal and collage are her medium choices of expression.
Pioneer School Experience
The award-winning Pioneer School Experience, in the restored Midway Schoolhouse and museum galleries, is an opportunity for school groups to step back in time, learn local history, and relive schoolhouse life at the turn of the century. Participants are immersed in four hours of continuous programmingwith curriculum designed to meet several Washington State Education Standards.
Price: $7 per student
Program Available T-F (10:00 a.m. – 2:00 p.m.)
Primary Museum Experience
The Primary Museum Experience is an instructor led introduction to the museum. Students in grades K-2nd learn museum etiquette, visit the restored Midway Schoolhouse, participate in an I Spy activity and enjoy a hands on tour of the main and maritime galleries.
Price: $5 per student
Program Available: T-F (Available during museum hours; 1.5 hour program)
If you would like more information or to schedule a field trip please email email@example.com.
Youth and Family Programming
The 65-foot purse seiner, Shenandoah, was donated to the Museum in 2000. The fishing vessel was owned by Tony Janovich, who donated it to the Museum shortly after his retirement. Currently, we are in the process of restoring the vessel. If you would like to volunteer on the restoration please click here. Also to follow the progress of the restoration click here.
The Harbor History Museum has a variety of programs for adults in the community, including our well-received Buried History series and our popular Our Town series.
For a peek inside previous programming, please click here.
The Harbor History Museum houses a vast array of collections relating to the Gig Harbor Peninsula and surrounding communities. The Museum also serves as the official repository for the fallen Tacoma Narrows Bridge nicknamed "Galloping Gertie."
If you are interested in conducting your own research please call 253-858-6722 for information on hours and collection availability or email the research team.